Artículos


Borges, “creator” of Cervantes; Cervantes precursor of Borger by Ion Agheana


La interioridad dramatica de Federico García Lorca por Antonio F. Cao


Skepticism and the problem of criteria in the Quijote by A.J. Cascardi


The Cid of Guillen de Castro: the hero as moral exemplar by James Crapotta


“Falsos paños”: lineage and dress in Gil Vicente’s don Duardos by Maria Cort Daniels


Dramaturgical distance in Valle-Inclán’s Esperpento de los cuernos de don Friolera by Dru Dougherty


Muerte y transfiguración del escritor: Borges y (en) sus lectores por Arturo Echavarría Ferrari


Los narradores en la sombra: apuntes sobre el “picaro arte” del galdos joven por Ana H. Fernandez Sein


Argument in The celestina, and its predecessors by Charles F. Fraker


The theme of justice in Fray Luis de León’s Glosses of the Psalms by David M. Gitlitz


Feijoo and Mr. Singer: notes on The aburguesamiento of fortunata by Peter B. Goldman


Halma: the novel’s name is a game and also its frame by Leo J. Hoar, Jr.


A tradition of error: english translations of don Quijote, II, 24 by Robert M. Jackson


Story and discourse in don Quijote by Carroll B. Johnson


Two cases of klendonomancy in Lope’s theater by Sonia Jones


More on the narrator of Fortunata y Jacinta by Susan Kirkpatrick


The meaning of theater in La Desheredada by Martha G. Krow-Lucal


Sobre el signo astrologico del arcipreste de Hita por Luca López-Baralt


Camino de perfección: Baroja y el misticismo por Julio Matas


El señorito literario: antecedentes y dos casos por Gloria M. Ortiz


At the whirpool’s rim: the voice of Pedro Garfias in the generation of 1927


Some jesuit contributions to the use of the term ‘comedia’ in spanish dramaturgy by Michael J. Ruggerio


Is La celestina the first modern novel? by Dorothy Sherman Severin


Bestiary imagery in La celestina by George A. Shipley


Fancy and fantasy in Rosalia: signs of self and society by Alan E. Smith


Church ritual as role-playing in Hernando de Talavera’s treatise on the mass by Ronald E. Surtz


On the romancero in Paribañez: la esposa fiel and la adultera por Marsha Swislocki


Theatrical aspects of the novel: don Quixote, Joseph Andrews, and the example of Cervantes by Jill Syverson-stork


Bartolome de Torres Naharro’s dialogo del nascimiento: a converso christmas play by Nora Weinerth


Authority figures in Siervo libre de amor and Grisel y Maribella by Barbara F. Weissberger


“Las aventuras de Pickwick”: notes on Benito Perez Galdos as translator of Dickens by Chad C. Wright


Juan del Encina’s representacion a la pasión: secular harmony through Christ’s redemption by Yvonne Yarbro-Bejarano